While photographing the northeast corner of my much-beloved O’Hare neighborhood, I started to noticed something funny. An inordinate number of the 1960s apartment buildings prominently featured a Classical-styled sculpture hanging out in front of them. It was one of those shocking little moments when you realize that you’ve somehow not seen something even though it was right in front of you the whole time.
(That last photo, by the way, is a building I didn’t share earlier, a Midcentury courtyard apartment with a bizarre Frankenstein mish-mash of parts, including a Classical pediment next to a two-story asphalt-shingled mansard roof, wood siding, brick siding, picture windows and tacked-on balconies. Yikes!)
A skim through my considerable photo archive turned up quite a few more of these lawn sculptures scattered around the city.
The garden statues don’t appear to be recent add-ons. Sometimes, the building itself is designed to accomodate some kind of decoration. And a couple of designs (the water-carrier with a vase on her shoulder, and another water carrier holding a single smaller jug) show up in front of multiple buildings, making it more likely to be of the same vintage as the buildings themselves.
The question remains, then: What the hell?? Were Chicago builders trying to convince their clients that they were actually living in some sort of new American acropolis by dropping a bit of Greek lawn art in front of it?
Well, maybe. Mid-Century builders were not at all hesitant to slap on anything that they felt created a resonant image with home buyers and renters. The western frontier and the colonial era are both well-represented in Chicago’s 1960s style. So why not add in some Grecian statuary? Was America not the modern living embodiment of Greek ideals of democracy, freedom, and equality?
And a statue, unlike a fountain, doesn’t require any messy, expensive pipes.
Still, it’s another one of those strange convergences. How was it that so many buildings wound up with the same statues?