With the weather having taken its inevitable late-fall turn for the crappy, I’d like to skip up and down the lakefront a bit in photographs, and remember both warmer, bluer and greener times, and also some of the lovely highrises that one glimpses while running Lake Shore Drive.
One of the first and most obvious lessons here is the evolution of scale. Just contrast the historicist towers – generally from the 1920s and earlier – with their post-war successors. The size of the latter tends to be hugely inflated.
And yes, the post-war buildings often are a lot uglier. The Modernist ethos of minimalist design soon transmogrified into an ethos of minimal designing. On the flip side, they usually have more generous windows – more light coming in, better views looking out.
This one, at Sheridan and Bryn Mawr, is one of the finest towers on the lakefront. Its clean horizontal banding make it an outstanding example of International style architecture.
“The Statesman” – 5601 N. Sheridan – Milton Schwartz & Associates, architects, 1964
And this pair of conjoined towers may look like an overmassed monstrosity, but take a longer look. There’s a lovely offset grid of windows, and those two mechanical penthouses on top, with their curved brick walls, just make the whole thing come together. The penthouses cap off wide brick bays that act like visual wrapping paper – a pair of bows tying the whole package together.
3950 N. Lake Shore Drive – Shaw, Metz & Dolio, 1957, originally with rooftop dining. Built on the site of 1910 Richard T. Crane mansion.
The towers tend to get shorter as one moves further north. Here’s a couple of my favorite Rogers Park high rises, long past Lake Shore Drive’s end.
Learn a bit more about this last one, with its delightful bosses, here.