Sullivanesque Revisited

DSC_5709a

Back in 2010, I wrote a short post about the Sullivanesque style as it commonly manifests around Chicago – in the form of small commercial buildings decorated with catalog terra cotta ornament designed in Louis Sullivan’s ornamental style. I think that I wrote with some trepidation, the unease that comes when writing seriously about something that the architectural “establishment” dismisses as unimportant (see also: the 4 Plus 1.)

DSC_5666a

I should know better! The whole point of this blog (and of many others like it around the country) is to delve into the obscure, to explore the “unimportant”. In fact I would hail that as a great accomplishment of the current generation of preservationists, architectural historians, writers and photographers – to elevate things like roadside architecture and vernacular styles and make a serious accounting of them; not to be bound and constrained by the standards of high style that generally get buildings into magazines and guide books.

IMG_2474a

This point was driven home to me recently by Ronald Schmitt’s excellent work, Sullivanesque (2001.) Schmitt writes not only about Sullivan and his serious contemporaries (Purcell & Elmslie, Henry John Klutho, Trost and Trost, and many others), but also explores the common buildings on Chicago’s commercial streets that were enlivened by the stock terra cotta designs inspired by Sullivan’s works, manufactured in bulk by Midland Terra Cotta Company and a couple of competitors. He points out that in many cases these were quite skillfully applied, and if they were not quite in keeping with Sullivan’s philosophy, they at least in line with some of his formal principles. Let’s take a look!

IMG_7511a

6634 Cermak Road, Berwyn – Vesecky’s Bakery. 1922. The ornament at the roofline builds to a peak, accentuating the building’s center line. Below, a corniceline suggests the limits of the 2nd floor and roof behind the parapet wall.



DSC_5705a

3261 N. Milwaukee Avenue – an annex to Kozy’s Cyclery. 1925, architect A.M. Ruttenburg. The roofline crest is heavily based on Midland Terra Cotta Company’s “Store Building Design No. 1.” From the roofline down, the importance of the central main entrance is emphasized. At the door, anomalous Beaux Arts details are used, making this building a bit of a hybrid. The vertical entry/pier assembly overlays horizontal bands that delineate the floors, parapet and roof.

 

DSC_5660a

3015 N. Milwaukee Avenue – originally M. Shooman Building; today, Polskie Centrum Medyczne. 1922, architect Rissman & Hirschfield, with stock terra cotta from the Northwestern Terra Cotta Company. Horizontal bands of small, repeating blocks with a relatively simple design delineate the floors and emphasize the long, horizontal nature of this two-story commercial building in Avondale. At the street corner, a concentration of medallions, vertical bands, and roofline capstones emphasize the importance of the entry.  Schmitt notes that the ornamental medallion on the long face of the building is derived from a Purcell & Elmslie bank in Rhinelander, Wisconsin.

DSC_5659a

 

IMG_6865a

6508-10 S. Halsted Street, Englewood – 1917, architct A.G. Lund. Two storefronts are neatly and clearly called out by the ornament along the roof parapet.

 

IMG_2469a

3752-58 W. Montrose at Hamlin – 1925, architect Maurice L. Bein. Medallions punctuate the roofline.

 

DSC_0358a

2129 W. Cermak, Little Village – Rubin Brothers Building. 1923, architect A.L. Himelblau.

 

IMG_0878a

The George Valhackis Building – 81st and Halsted. 1922, architect Charles J. Crotz. Stock terra cotta from Midland Terra Cotta Co.  Medallions demarcate the corner storefront, the various apartment stair entries, and the end of the building. Horizontal bands contain the row of 2nd-story windows.

 

IMG_2104a

3445-49 W. Irving Park Road. 1925, architect A.L. Himelblau. Midland Terra Cotta Co terra cotta. The central medallion was Midland catalog item #4508 and appears frequently across Chicago.

 

DSC_0765a

3508-12 W. 26th Street, Little Village. 1923, architect Charles Vedra. Medallion 4508 again!

 

IMG_8679b

3500 N. Cicero Avenue – originally the Charles Andrews Store. 1925, architect Jens J. Jensen. The roofline of this building is repeatedly punctuated by Midland medallion 4508. Other stock pieces surround it, arranged in configurations suggested by the terra cotta manufacturer themselves. This arrangement of the medallion and its surrounding accents, for example, is directly drawn from Store Buildings Design No. 1 on plate 47 of the Midland Terra Cotta catalog of the early 1920s.

Advertisements

Chicago’s lost Polish Stores

IMG_1647a

3067-69 N. Milwaukee Avenue – July 2008

POLSKI SKLEP, read the painted signs – red letters on white painted brick, surrounded by a riot of merchandise ads that covered every inch of the plain Chicago storefront building on Milwaukee Avenue, turning it into a giant undisciplined Polish flag. This stretch of road through the Avondale neighborhood was one of Chicago’s predominant Polish neighborhoods for many decades, nowhere more visibly than in the two storefronts of the Polish Store Chicago, “Little Poland’s Dollar Plus Store”.

IMG_8842a

3331 N. Pulaski Avenue, a wood frame house with a brick storefront addition  – March 2008

A modern, local, low-rent version of a five-and-dime, the stores were crammed with all sorts of merchandise, from knickknacks and everyday needs to pots and pans,  housewares and bedding, as well as Polish-specific goods including CD and tapes, flags, stickers, and other patriotic goods. Cigarettes, lottery tickets, video rentals, power converters, phone cards, key cutting – all for sale in one stop!  Tucked in there somewhere was an employment agency as well. And a cookware sales point.

Advertising was equally unsubtle, spreading to sidewalk signs, vehicles, and the building’s party wall.

 

IMG_4838a

IMG_1645a

 

DSC_5727a

September 2015 – closed.

Having been open since at least the 1980s, they’ve both closed recently, seemingly in 2012 – victims of the times as the Polish population has drifted westward into the suburbs. The larger store’s signage has been painted over as a more commonplace mattress outlet has taken over the space. A mile north, the smaller Polish Store yet remains, empty and waiting for a new tenant.